The Hidden Exploitation of Italy's Migrant Workers
With a Foreword from Liz Fekete
A searing exposé of the netherworld of exploited migrant labour that holds Europe aloft.
In 2013 Ousmane Diallo, a 26-year-old Senegalese olive harvester, lost his life when a gas canister exploded in a Sicilian field. As an African migrant, he was little mourned. But though they've been deliberately forgotten, neither the events of Ousmane's life nor his tragic death are uncommon.
Across Italy today, African workers toil in the fields that make it one of Europe's largest exporters of fruit and vegetables. Having fled home countries devastated by colonialism and global capitalism, those who survive the journey across the Mediterranean arrive on European shores only to find themselves systematically segregated and exploited. They have been subject to anti-migrant policies over decades, from administrations across the political spectrum. Trapped in a chokehold of subhuman living and working conditions, they are the dehumanised Other, invisible by design - the people hidden behind foods and goods branded 'Made in Italy'.
Ciao Ousmane is the story of this subordinated class. Through the lives and stories of Italy's migrant workers, Hsiao-Hung Pai exposes the open secret of how state and society create 'necessary outcasts'. This is a bitter, frank and moving tale of racial capitalism, against which workers constantly find new ways to organise and fight back.
Published by Hurst, January 2021
'Hsiao-Hung Pai is fearless. Not only does she expose how desperate migrant workers are used and abused on European soil; she also reminds us that there is hope when people stand up for their rights together. This book moved me to tears, yet it is also full of courage.' - Benjamin Zephaniah, poet and writer
'A searing insight into the exploitation and racism embedded in our food chains. Told through the eyes of migrant workers, this book highlights the complicity of the Italian state in the dangerous and inhumane treatment of people who move. Its lessons can be applied to every EU nation. A must-read for those who wish to stand up for migrants' rights.' - Minnie Rahman, Public Affairs and Campaigns Manager, Joint Council for the Welfare of Immigrants
'Essential reporting from one of the finest journalists working in the world today. Hsiao-Hung Pai exposes the hidden reality of Europe's "migrant crisis", where African workers in Sicily and Calabria are subjected to ruthless exploitation and systemic racism.' - Matthew Carr, author of Fortress Europe: Inside the War Against Immigration
'Ciao Ousmane exposes the racial violence and human cost of cheap labour. It plunges us into the struggles, endurance and everyday victories of the African people who pick our olives, tomatoes and oranges. Inspirational-learn, resist, act!' - Bridget Anderson, Professor of Migration, Mobilities and Citizenship, University of Bristol, and author of Us and Them?: The Dangerous Politics of Immigration Control
Reviews & Articles
Times Literary Supplement review
The Week in Italy, by Jamie Mackay, writer and critic based in Florence, and author of The Invention of Sicily
Krytyka Polityczna review, by Jamie Mackay, the Italy correspondent for Krytyka Polityczna
Newlines Magazine (US)
Narrating migration: Whose "story"?
"In Europe's narration, white Europeans have always been the ones to hold the microphone, notepad and pen, observing and documenting. The subjects of their narration are given the opportunity to speak while their voices are filtered, their discontent toned down, their experiences minimised by censors and gatekeepers. For a long time, the migrating person has only been talked and written about, portrayed as having little agency or capacity to take part in shaping their own destiny.
...This Eurocentric narration is part of the continent's colonial legacy. Frantz Fanon suggested through his work that the Black social being has been emptied of content and their agency immobilised. Marked by a permanent absence in a white supremacist society, their sense of non-existence exceeds the mere feeling of inferiority; it is how dehumanisation works day-to-day."
- from the Afterword, Ciao Ousmane
"He asked himself the question: if local farmers saw him as a 'model worker,' what was stopping local society from seeing him as a fellow resident? He did not want to feel like a commodity to be used when needed and discarded when not. He longed for human contact in the town. He felt in need of some recognition that he was just like them: human."
- from 'Fires and a Model Worker,' Ciao Ousmane
Photos: Campobello town, its olive production and living conditions of migrant workers/by Hsiao-Hung Pai
View of the town and barbed wire photos by Dave Barkway